Music, Modernity, and God
Essays in Listening
This item is available to order.
Please allow 2-3 weeks for delivery.
Publisher: Oxford University Press
Number of Pages: 270
Width: 16.2 cm
Height: 23.8 cm
When the story of modernity is told from a theological perspective, music is routinely ignored - despite its pervasiveness in modern culture and the manifold ways it has been intertwined with modernity's ambivalent relation to the Christian God. In conversation with musicologists and music theorists, in this collection of essays Jeremy Begbie aims to show that the practices of music and the discourses it has generated bear their own kind of witness to some of the pivotal theological currents and counter-currents shaping modernity. Music has been deeply affected by these currents and in some cases may have played a part in generating them. In addition, Begbie argues that music is capable of yielding highly effective ways of addressing and moving beyond some of the more intractable theological problems and dilemmas which modernity has bequeathed to us. Music, Modernity, and God includes studies of Calvin, Luther and Bach, an exposition of the intriguing tussle between Rousseau and the composer Rameau, and an account of the heady exaltation of music to be found in the early German Romantics. Particular attention is paid to the complex relations between music and language, and the ways in which theology, a discipline involving language at its heart, can come to terms with practices like music, practices which are coherent and meaningful but which in many respects do not operate in language-like ways.
Other products in this Category
Identity of Anglicanism
Christian Community in History, Volume 3
Idolatry of God
Understanding World Christianity
World Christianity in the 20th Century
Making Sense of Religious Pluralism
Postliberal Theology and the Church Catholic
What Anglicans Believe
Faithful to the Future
Jesus Our Priest