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Theology as Performance

Music, Aesthetics, and God in Modern Theology

Theology as Performance

Music, Aesthetics, and God in Modern Theology

This item is a print on demand title and will be dispatched in 1-3 weeks.

Hardback

£160.00

Publisher: Bloomsbury Publishing PLC
ISBN: 9780567029218
Number of Pages: 298
Published: 15/07/2006
Width: 15.2 cm
Height: 22.9 cm
Theology as Performance breaks new ground in the growing conversation between modern theology and philosophical aesthetics. Stoltzfus proposes that significant moments in the Western development of the concept of God, in particular as represented in the figures of Friedrich Schleiermacher, Karl Barth, and Ludwig Wittgenstein, have been deeply influenced by concepts and approaches borrowed from the discipline of musical aesthetics. Each thinker develops fundamentally different ways of writing about God that have in significant respects been derived from each one's reading and writing about music. The aesthetic implications of Schleiermacher's so-called subjectivist turn, Barth's objectivist reaction, and Wittgenstein's language-game pragmatism can thus be fully understood only by attending to the musical culture and distinctly musicological discourses that gave rise to them. Stoltzfus constructs two trajectories of thought with which to trace theological reflection upon music throughout the pre-modern period: the traditions of Orpheus and Pythagoras. Schleiermacher's aesthetic approach, then, becomes a modern representative of the Orpheus trajectory, and Barth's approach a representative of the Pythagoras trajectory. Stoltzfus interprets Wittgenstein as putting forward a radical critique of these trajectories and pointing toward a third, "performative" theological-aesthetic method. Theology as Performance offers a provocative rethinking of the aesthetic roots of modern theology.

Philip E. Stoltzfus

Philip E. Stolzfus isAssistant Professor of Religion, St. Olaf College, Northfield, Minnesota.

"In this ambitious and exceptionally well-researched book, Philip Stoltzfus makes an important contribution to the growing body of theological reflection on music and it relationship to the theological enterprise...He provides possibly the most extensive discussion in print of the role of music in the theology and religious thought of three figures: Friedrich Schleiermacher, Karl Barth, and Ludwig Wittgenstein."-Frank Burch Brown, Journal of Religion, July 2008

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