Last Judgment Iconography in the Carpathians
This item is currently unavailable.
Enter your email address below and we will email you when the item comes into stock.
Publisher: University of Toronto Press
Number of Pages: 368
Width: 15.9 cm
Height: 23.6 cm
Few subjects in Christianity have inspired artists as much as the last judgment. Last Judgment Iconography in the Carpathians examines images of the last judgment from the fifteenth century to the present in the Carpathian mountain region of Ukraine, Poland, Slovakia, and Romania, as a way to consider history free from the traditional frameworks and narratives of nations. Over ten years, John-Paul Himka studied last-judgment images throughout the Carpathians and found a distinctive and transnational blending of Gothic, Byzantine, and Novgorodian art in the region. Piecing together the story of how these images were produced and how they developed, Himka traces their origins on linden boards and their evolution on canvas and church walls. Tracing their origins with monks, he follows these images' increased popularity as they were commissioned by peasants and shepherds whose tastes so shocked bishops that they ordered the destruction of depictions of sexual themes and grotesque forms of torture. A richly illustrated and detailed account of history through a style of art, Last Judgment Iconography in the Carpathians will find a receptive audience with art historians, religious scholars, and slavists.
'A thoroughly original monograph, one which should be of interest to a variety of specialists in the history of culture, religion, and society of any place where Orthodox Last Judgment Iconography has an impact. Himka?s excellent combination of art and social history is a sound reminder that before the late sixteenth century the easternmost and westernmost East Slavs shared a common cultural base.' -- David Goldfrank, Canadian Slavonic Papers, vol 52:1-2:2010 'Well-researched and eminently readable monograph...This is a treatise about how we approach the study of history itself and especially Ukrainian history... It should be welcomed by Slavists, art historians, and religious scholars, who will find much of value in it.' -- Patricia A. Krafcik