Updating Basket....

Sign In
0 Items

BASKET SUMMARY

There are currently no items added to the basket
Sign In
0 Items

BASKET SUMMARY

There are currently no items added to the basket

This item is a print on demand title and will be dispatched in 1-3 weeks.

Hardback

£105.00

Publisher: Edinburgh University Press
ISBN: 9781474461948
Number of Pages: 432
Published: 09/06/2023
Width: 15.6 cm
Height: 23.4 cm
We share with Shakespeare, it seems, the assumption that to be human is to be an interpreter of oneself, others and the world – seeking but not always arriving at understanding. Shakespeare, the Reformation and the Interpreting Self explores this perspective on human subjectivity. This study reads the complex, compelling representations of the self as an interpreter (and misinterpreter) of reality in Shakespeare’s ‘problem plays’ alongside an intellectual history that links the culture-shaping theological hermeneutics of the playwright’s day to the similarly influential philosophical hermeneutics of our times. What is it to be an interpreting self? This book’s critical approach brings to the fore questions about the self’s finitude, agency, motivations, self-knowledge and ethical relation to others, questions that were of great relevance in Shakespeare’s England and which continue to resonate in our present-day dilemmas and debates about human experience and human being.
Acknowledgements Textual Note Series Editor’s Preface Introduction 1. A Hermeneutic Revolution 2. Hamlet, the Fall and Hermeneutical Tragedy 3. Not knowing thyself in Troilus and Cressida 4. Seeing Mercy, Staging Mercy in Measure for Measure 5. All’s Well That Ends Well? Knowing in Part Epilogue Bibliography Index

Roberta Kwan (Honorary Postdoctoral Fellow in the Department of Media, Communication, Creative Arts, Language, and Literature, Macquarie University)

Roberta Kwan is an Honorary Postdoctoral Fellow in the Department of Media, Communication, Creative Arts, Language, and Literature at Macquarie University, Sydney and an Honorary Associate in the Medieval and Early Modern Centre at The University of Sydney. Her research explores the intersections of early modern drama, theology and philosophy. She has published several scholarly articles in this field.