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Cathedrals and Sculptures, Volume II

Cathedrals and Sculptures, Volume II

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Please allow 2-3 weeks for delivery.

Hardback

£120.00

Publisher: Pindar Press
ISBN: 9781899828272
Number of Pages: 562
Published: 31/12/2000
Width: 16 cm
Height: 23 cm
Professor Sauerländer is the leading authority on Gothic sculpture of the twelfth and thirteenth centuries. The papers collected here have been published over the last 35 years. They represent important contributions to the subject - two are published here for the first time - and reflect sensible shifts of method and approach in the study of the art of this period.

The studies form two volumes, and are grouped around a number of common themes: the great centers, the survival of antiquity, the new interest in nature and its representation, and the European spread of the Gothic style. Ten are in German, six in French, and six in English. Early studies have been updated with references to the more recent literature. There is a comprehensive index and a bibliography of Professor Sauerländer's work.
The European Echo. England. Sens and York. An Enquiry into the Sculptures from St. Mary's Abbey in the Yorkshire Museum

Sculpture at Westminster Abbey

Spain. Von der Glykophilousa zur "Amie Graciouse". Überlegungen und Fragen zur Virgen Blanca in der Kathedrale von Toledo

1188. Les Contemporains du Maestro Matteo

The Empire. Reims und Bamberg. Zu Art und Umfang der Übernahmen

Die Naumburger Stifterfiguren. Ruckblick und Fragen

Stiftergedenken und Stifterfiguren in Naumburg

Italy. Von Wiligelmo zu Giotto. Mediävistische Aphorismen zum Thema Frankreich und Italien

Dal Gotico europeo in Italia al Gotico italiano in Europa

Epilogue. Storicismo e classicismo nel gotico settentrionale intorno al 1300

Gedanken uber das Nachleben des Gotischen Kirchenraums im Spiegel der Malerei

La cathédrale et la révolution

A Connecticut Yankee at King Arthur's Court

Additional Notes

Bibliography of Professor Sauerländer's Publications

Index

Willibald Sauerlander

Professor Sauerländer was the leading authority on Gothic sculpture of the twelfth and thirteenth centuries.