If music has ever given you 'a glimpse of something beyond the horizons of our materialism or our contemporary values' (James MacMillan), then you will find this book essential reading. Sacred Music in Secular Society is a new and challenging work asking why Christian sacred music is now appealing afresh to a wide and varied audience, both religious and secular. Jonathan Arnold offers unique insights as a professional singer of sacred music in liturgical and concert settings worldwide, as an ordained Anglican priest and as a senior research fellow. Blending scholarship, theological reflection and interviews with some of the greatest musicians and spiritual leaders of our day, including James MacMillan and Rowan Williams, Arnold suggests that the intrinsically theological and spiritual nature of sacred music remains an immense attraction particularly in secular society. Intended by the composer and inspired by religious intentions this theological and spiritual heart reflects our inherent need to express our humanity and search for the mystical or the transcendent. Offering a unique examination of the relationship between sacred music and secular society, this book will appeal to readers interested in contemporary spirituality, Christianity, music, worship, faith and society, whether believers or not, including theologians, musicians and sociologists.
'An intriguing, fresh look at the existence and role of music and its sublime effect. What is it that is so special about sacred music?'Ralph Allwood, MBE, formerly Eton College, UK and Director,Eton Choral Courses'A valuable contribution to the study of sacred music in our world today.'Stephen Leyton, Trinity College, Cambridge, UK'As both a sacred musician and a scholar of historical theology, Jonathan Arnold is uniquely qualified to write this lucid and informed book. He tackles one of the most mysterious and fascinating questions in the area of theology and the arts: what is it about music that still appeals so vividly to modern people's sense of the spiritual? He explores this question in an engaging, open, accessible and enthusiastic way, bringing his own insights into conversation with some of the best-known composers, performers and theorists of sacred music at work today.'Ben Quash, King's College, London, UK